Stage Door Entertainment brings Tony Roper’s classic play The Steamie to the Fringe with heart, humour, and honesty.

Malevolent, malicious, malcontent: Malvolio. But is he?

Edinburgh Little Theatre’s And They Played Shang-a-Lang opens what is billed as its final Fringe run, to a packed and cheering house.

A poignant rendition of Jason Robert Brown’s The Last Five Years, pacy and arresting from start to finish.

C Theatre’s The Wind in the Willows is a charming, delightful retelling of Kenneth Grahame’s classic children’s novel.

From the team behind Julie: the Musical comes Tit Swingers, a Punk Gig Musical – with added Pirates.

Director Emma King-Farlow’s script strips Macbeth back to the nuts and bolts, cutting scenes and characters with ruthless efficiency.

Fife Opera’s stripped-down production of Henry Purcell’s Dido & Aeneas fills the airy stained-glass nave of Edinburgh New Town Church.

TERF, written and directed by Joshua Kaplan, blazes into the Fringe to a cacophany of Twitter notification pings.

I said I was done at six shows, but then two more came along that I couldn't refuse, so now I'm involved in eight. I'll also be reviewing...